the United Negotiations of Otherness explore, if performativity – depict as political process as well as artistic practice of role-play and embodied experience – can envisage a culture that appreciates both similarities and differences?
Rather than representing the underlying politics and the subjects of discrimination in a known mediatic format, Self-As-Other-Trainings address the necessity of educating our own bodies through the active embodiment of the ‘other’ in choreographed storylines, in order to evoke critical self-reflection and eventually provoke behavioural change.